Bryan Pyle is Ensemble Economique.
ENSEMBLE ECONOMIQUE
http://www.forcedexposure.com/artists/ensemble.economique.html
http://ensembleeconomique.tumblr.com/
with female synthwave duo Opale and BCBG (both from Paris, France)
and KMFD (local noise/drone/experimental)
Thu Aug 29 8 pm doors $5 show is open to all ages
Garfield Artworks, 4931 Penn Avenue
Info on their latest album “The Vastness Is Only Bearable Through Love”:
Ensemble Economique is Brian Pyle, one-half of Humboldt avant-abstractionists Starving Weirdos (which Forced Exposure called “an American echo of AMM”) and RV Paintings. “We’ve long loved the SW’s sprawling rhythmic dronescapery, and on his own, Pyle explores similar sonic territory, but Pyle’s approach sans partners seems to be more dense and dark, caustic and abrasive, the rhythmic element balancing the atmospheric elements, like here on the title-track, which spreads out over all of the first side. A thick, swirling low-end thrum oozes and undulates, it’s a hazy blurred rumble, over which Pyle layers heaving shards of crunch, thick throbs, deep bell-like tones, rhythmic machine gun stutters, all of which pile up and overlap, creating a soft cacophony of clatter and crunch, chug and churn, a strangely haunting, and sorta noisy, almost industrial creepscape, that sounds like some weird hybrid of Wolf Eyes, Philip Jeck and Umberto, performed by some strange robotic minimalist chamber ensemble. A swirling, heady, and darkly psychedelic barrage of loops and rhythms, layers and textures, mesmerizing and intense. The flipside is another permutation of Pyle’s abstract, beat-laden drones, another thick, swirling morass of sitar-like buzz and sci-fi synth squelch, this time the beats buried, little flurries of stutter and shuffle, squalls of glitchy tangle, more coloring the proceedings than driving them. The last track is a tense, soundtrack-y stretch of layered buzz and haunting melody — a sprawl of pulsing high-end over deep, ominous rumbles, like the music from the scariest moment in some lost Italian giallo, stretched out into minutes instead of seconds, all tension, no release, brooding and intense, haunting and mesmerizing, fantastic stuff.” –Aquarius Records